eclectic avenue records keep up their high standard of artists and bring in rob mello to remix one of the most talked about producers of the moment - the dead rose music company.
limited pressing of 300 copies - so better be quick!

jatoma are all about the unknown and though they are new amongst us they remain cloaked in paradoxes and already questioned by many. some think that one of the members is a famed producer amongst 2 genius teenagers.
others project they are a side act for a band held in the highest regard. some will speculate they are just trying to get more attention by remaining unknown. the facts remain blurry and ambiguous but there remains an clear authenticity surrounding these factors - jatoma are clearly one of 2010s most inventive new acts our ears have had the pleasure to hear and its with our excitement we welcome them to kompakt. so enter their self-titled debut full length - >jatoma<.

public lover (ninca leece & bruno pronsato) return with another single aimed at bringing you into their humid world of dance music. naked figures is a bassline-driven story drunk on percussion and beauty. a track built on abstraction and elegance. a track quiet literally naked from its humble beginning to its anti-climactic ending. it’s an unassuming journey of class. it’s ninca & bruno uttering scenes of nakedness and dim lights… but is it a love song? we think not. it’s not about a one night stand either. it’s simple. it’s funk. it’s house. it’s techno. more importantly, it’s about making you dance. on the b-side, one half of the duo, bruno pronsato, steps up for remix duties.

working a strong vocal and soothing harmonies with classic new york garage style, paul simpson and colonel abrams have crafted a warm and interesting vocal house record that entertains while getting the listeners head and shoulders softly moving in time with their hips, leaving them not to contemplate the origins of bleeps and whirs, but to bask in the here and now. stripped down to the basic and classic elements of house beat, bass, organ, vocals and piano >could it be?< ponders life after break-up without distraction and reminds you that you are in no hurry to be anywhere else. its fine right here so take the time to think about the what the colonels singing and enjoy it. we’ve all been there.

following the smashing uk charts and radio with rescue me, skepta makes a highly anticipated return with new single cross my heart. the track sees skepta go hard? he splits serious bars about his life and success to date underpinned by dramatic strings, sweeping synths and a hard heavy n fast bass line. this second 12 has mixes from dj fresh hot on the heels of his massive gold dust fresh provides 3 killer mixes.

we are proud to present the very first release on our new label, colourful recordings. home of swedish producer and dj tobias linden a.k.a orange muse, we are excited about whats to come. the original mix represents the new sound of tobias, a driving hypnotic affair with an electrified spoken word delivery from fresh upstart ania. grace jones anyone?! on remix duties we have rocco, quentin harris and honey dijon stepping out of their game! roccos mix, a deep haunting groove with thumping kick and quirky effects sets it apart from his more soulful work, strictly for the floor this one. quentin harris and honey dijons mix reminiscence of sound factory glory, serving up a serious percussive workout with big drums climaxing in a strings breakdown to release the tension.

jeff samuel is on minibar!! no need to present jeff samuel anymore, he has been an activist on all the major labels of the past decade… from 7th city to trapez or pokerflat. we are thrilled about these 2 new tracks he produced especially for minibar. sit back, switch the groove receptors on, and enjoy this insane ep.

nice price deal !!! comes with coupon for free mp3 download.

fully licensed is a new dubstep label that has burst on the scene. its already made waves in club land and its also pissing off the neighbours. we dont know much about krankie frank but what we do know is he knows his frequencies and therell be much more from this camp. watch out

support from laurent garnier, sascha dive, reboot, ryan crosson, mr v, rocco, dj gregory, le loup, brothers vibe, djulz, james priestley, ralf gum, alex from tokyo, halo... here comes the new cross-over project from the master of french deep house, mr franck roger! lets go back to the roots of house with him, and when i say house, i mean real, true, phat old school house that comes right from the soul! franck as come up with his most sophisticated work ever, but youll be suprised because its completely spontaneus and elaborated at the same time. the first track is called loosing and believe me you wont get loose on that one, a very chunky and deep new york ride... the second is i wanna say, and franck means it really, its all about the dancefloor, with his futuristic vibe. and then comes heat, and boy you will sweat on that one, this is what we call the perfect definition of house music, between east coast, and west coast. real tone records is proud to start its sixth season with this wicked new project

as anyone will know, dub police is one of the dubstep scenes leading labels, having helped launch the careers of artists like caspa and rusko into the dance music stratosphere. the labels ethos has always been about giving the next generation a step up and the next wave of superstar producers has arrived as the dub police war machine continue to roll ever onward towards world domination. trolley snatcha is the latest artist to receive the dub police stamp of approval with his diverse four-tracker the >one trick pony< ep. proving that he is anything but, trolley turns out a selection of tunes that display a mature and open-minded approach to dubstep. from the ear-battering trolley trademarks that litter >pass me by< and >roccos revenge< to the smoothed out bliss of >always on my mind< and the light techno touches of >we go deep<, this ep will grab the attention of anyone with a keen ear for quality music.
dj support: caspa, rusko, skream, the others and benga.

dixie yure is the incarnation of contemporary oldschool house music from seville. after some digital only releases it is about time for some haptic experience. with the 10“ record „show me satisfaction“ on berlin-based label fenou his sound is rotating on turntables for the first time. monotonous minimalism ain’t dixie yures world. the sound tends more towards 2step and builds a homogeneous and pleasant mixture with classical house elements and vocal parts. you just cant deny yourself dancing the >chicken dance< and stepping like hell! thanks to the funky improvisations extending over the whole track you wont get bored even after listening to >show me< for the hundredth time. the a-side is just fun - in the club as well as on your couch. you wont miss the low-pitched vocals on the b-side either as they are typical for the spanish producer. >satisfaction< is a little more reduced than >show me< but is enhanced with jazz elements such as pianos and saxophones. it shows that wind instruments in electronic music dont have to be annoying tribal elements. in this example acoustic instruments do not just get mixed up with house music but merge to one groove – absolutely rocking tune!

austere can mean >lacking trivial decoration< and >not extravagant< which is exactly what the ethos behind this esoteric new label is about - raw, real and underground. the first ep from laak (pronounced >lock<) is true to the roots of house music. warm pads, discreet analog melodies and vintage drum patterns. along the way giving a huge nod to chicago, detroit and the forefathers of the genre. already receiving support from jus ed on his underground quality radio show and quite a few other players, dont sleep!

r&s records return with another exciting young talent. space dimension controller has already caused a fuss on the underground with his >love quadrant< (kinnego) and >journey to the unknown sphere< (royal oak) releases. the temporary thrillz ep contains intergalactic slow jams, deep club excursions and mid tempo space funk, all with the sdc trademark depth, soul and finesse. this is another release that will cement sdc as one of the best and most talked about young producers of the year.

metalheadz are proud to back subwaves most deadly and innovative tracks to date which will push the russian to the forefront of most talked about artists. watch out for his forthcoming debut album to follow soon on metalheadz. with d+b bigger than ever before on a global scale, there is nowhere more up-and-coming than russia, and subwave is right at the heart of the moscow scene. gleb started to make music with production partner alexander rotov over ten years ago, grabbing early attention from the late john peel with there debut release on tech itch recordings in 2001. more tunes followed with a remix of tiesto (with paul b) getting which gained huge attention stateside, with a 12inch on goldies metalheadz label following gleb going solo. not only a talented producer, gleb is also held in high regard as both a dj and promoter. he successfully marries ice cold minimalism with wide open dancefloor sonics, and with huge support from the likes london elektricity, hype, fabio, and of course goldie, expect more subwave in your system shortly

awkward movements returns to release the debut from londons dodger man ? one of the most talked-about new producers of the last 12 months. and with good reason. dodger mans multi-instrumentalist background opened the door for his high-profile sets bombed with back-to-back dubs of his own creation. his workings played-out live have gained him a reputation as one of the top emerging djs, the height of which came following an impressive set at bloc weekend, after being hand- picked by joy orbison to share the bill. the natural alignment with awkward movements has served up his highly-anticipated debut record, and it doesnt disappoint.

nice price deal !!! prinzhorn dance school announce their return with new single – >seed, crop, harvest.< we havent heard a thing from tobin prinz and suzi horn for three years (their debut lp was released on dfa back in 2007) but theyve been far from work-shy. they toured extensively, then came home and built their own bespoke recording studio (the red shed) – and learned how to use it. time consuming endeavors which saw them drop off the music radar. which might just explain the title of the equally charged b-side >off the radar, off the system<. in their own words: >weve been busy. just not busy making records. you have to live too. you can only write so many songs about motorway service stations and airports<. they recorded and mixed both songs themselves in the red shed, with bob weston taking on mastering duties. …prinzhorn dance school are back! and dfa could not be more proud

well, what can we say. do we have to say something? hell yeah! as its a luke solomon release under his new moniker lukatron! the first >lukatron< release ever - world premiere! the man is classic, the music is classic. 4 toolish tracks with a oldschool house and techno flavour, the way quite some fellas out there like it (and us too). as you can see, this is part 1 of a series of lukatron releases. and we are happy to have luke on board!

short about the label: a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. were gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut, just the way we like it. fernando pulichino should be a familiar name to you, either as part of 2020 soundsystem or maybe his recent cover version of bauhaus >kick in the eye< on redux? anyway, we cherry picked 2 of his tracks, one for the peaktime and one for the good times.

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched. although a global success story, it played an interesting role especially in the german experience. lp comes in gatefold sleeve.

volume 4 in the wh a t c h awa n n a d o disco edit series features two artists from the new school disco sound that have contributed remixes for the likes of dfa & rong. first up is southern californias wes coats with an african tinged disco groover that will surely tear up dancefloors from london to soweto. the flipside is turned into a 10-minute gospel house/disco anthem by frances blackjoy that will be the perfect closing song for clubs around the world.
>finally there seems to be someone doing some actual a&r work on the re-edit front! those are all solid. havent seen that happen in about 10 years of meaningless re-edit releases!< - dimitri from paris

naïf .. returnes on number 3 with two of efdemins favourite producers: nina kraviz and bodycode. nina kraviz, the restless dj and producer from moscow delivers a timeless house-track featuring her unique seductive vocals. her second contribution to this label is a reduced tool and is an integral part of efdemins dj-sets since almost a year. finally on vinyl, where it belongs. bodycodes track >a new species< was made in a rush in one early summer night in his apartment in ancient lisbon. like most of his music, this one opens the door to a new kind of music. yes, we are talking about the future here. two timeless tracks for your dj-bag, including acapellas of both tracks

the first and most important of the four food groups is flapjacks. a great example of this is in bryan jones flapjackin jam low flow. the beats are as thick with butter milk and the bass is fluffy and melts in your ears. the second food group and a perfect complement to the first is syrup. czech republics arco gives us a sugery delight entitled first time, which can be poured or spread over just about everything from toast and flapjacks to spaghetti noodles. this tune has a nice and deep brown maple sound that like syrupy goodness, sweetens up every mix. the third basic food group is eggs, everyones favorite baby animal embryo treat. melbourne, australias house mopper d-t3ch, plucked the perfect egg from his prized chicken with his spoken word groove give & take. in this smooth bumpin scenario, the chicken gives the egg, and d-t3ch takes it and whips it up into a wonder house omelet. the last but certainly not the least of the 4 basic food groups is the bacon. bacon just makes everything better. oregons forrest avery & derty d definitely take the bacon with their super fried, crispy, salty smash hit the perfect beat. this tune does to a club what bacon does to your heart…it clogs dance floors

in the 3rd downbeat release, the main star is the waldorf sound. this release means the debut of one of the heads of the label, jose rico. his two tracks (restructure again and >about it<) are obsessive, direct and forceful and define clearly his tastes and influences. detroit and above all, detroit. on side b, (the essential) mike huckaby gives us a bright pearl with a piano solo reminding us of his works on deep transportation. slow but sure

mataduo is a project created by two young italian guys, francesco resta and alessandro sensini. they live in bologna and they are resident djs in two different but very important club in the city as cassero and kindergarten. they started this project (mataduo) about 2 years ago with the intent to create a tech-house sound out of the trends of the moment and characterized by a strong bass and percussions suitable for different kind of dancefloor.

silkie returns with his first release on deep medi since his much talked about solo album city limits vol.1. city limits vol 1.2 is the first release in a series of four singles in the run up to his new and highly anticipated album city limits vol. 2 scheduled for release early 2011. city limits vol 1.2 will not feature on the album and will be available on limited 12 inch and download. dj support: mala (dmz), skream, joe nice (dub war/united states), quest, j 5ive, kromestar and all antisocial entertainment.

no stranger to straight up, tracky techno - the cuts on adam marshall’s third cynosure release are pure evidence of his familiarity with the genre. >searching< on side a is the slick, dj-friendly, jacker - reminiscent of detroits early sound. a relentless, but never tiring, deep analog bass sequence backed with marshalls signature grooves are the recipe here. killer just about sums it up. on the flip, >jamming the unit< is another tracky workout designed for the long-mix, followed by the kick-less basic channel-influenced builder, entitled >champion<. a perfect weapon in any techno set. yes, another timeless, ace of an ep - packed with mix appeal from adam marshall… order now!

save the vinyls presents ghettomania records - label of dj manatane with oldskool & hardbanging influences. he has worked with chicago superstars such as robert armani, paul johnson, jammin gerald or poogie bear and has been well known about his mixes on radio galaxie since 1998. more manu kenton is back with a hard hammer track and discover the hot frenchtek track of fireman playlist by jamie bissmire, dj ghost, kamikaze, bestien & jamie dill!

>bite sized beats vol. 1< has two smoking cuts from flapjack veteran wattie green. the first cut >flip mode< is a great throwback to the jack of i:cubes hit disco cubism. utilizing the same slammin key sample, wattie slices it up just right and puts in the smoker very early in the morning. after about 8 hours, it comes out and is seasoned to perfection with his solid beats and break wisdom resulting in one hell of a delicious dance floor bomb.

first press hand-numbered one sided white label. hordes of berghain freaks and techno headz go crazy about (b1) >blofunk< - another collection of fab grooves from doctor vinyl!! supported by ricardo villalobos! includes digital download coupon.

gunnar stiller has always been known for producing dance floor >destroyers<, even if >far from okay< sounds a bit like a floor wax accident theres no need for the timid raver soul to get worried about slipping and falling. soft accords sedate the mind, the bass pumps in the adrenaline and a voice softly whispers that everything is going to be just fine…all you need to do is dance. when the janitor loko mops over the uy 038 floor with his remix you can even walk over it on the highest of high heels. it does in fact, get a bit rougher when the lights go out on >some kind of weird< and the smoke machine goes starts pumping. thats when its >black piste< time and thats no place for heidi klum or techno beginners…but who wants to be a model anyway, right?

this limited vinyl version of the album contains 7 tracks that were never before available on vinyl. also includes a bonus cd version of the full album

more sophisticated disco influenced gems from this great fledgling label... the elevator people are back, introducing ep 003 by giulio dj! giulio dj, also called julian horn by his mum, started his tuneful career djing in vienna about 8 years ago, bringing his love for authentic disco, balearic beats and cosmic leftfield sounds to local music circles. julians productions reflect the warmth of 70s n 80s disco with a wide range of influences from chicago to contemporary house music. his first release on elevator people is a dirty mid-tempo floor filler called cocos nuts that will work well on the more sophisticated dance floors and will go just as well with your hamburgers during those summer bbqs portuguese don >social disco club< takes it up a notch and delivers a sweet house remix with a little acid on the side

the >captain deutschland serie continues on the vinyl only format and is limited to 300 copies, all hand numbered.
dandy jack is well known for his multiple collaborations. its now about time to lay them down on wax.
the second chapter is a honest, loud and direct ode to the joy of queen bass. if you are searching for deep house and abstract minimal you should better pass your way.
dandy jack teams up with geneva fellows lad and quenum on the a side for what could be described as a tremendous and heavy ride into the catacombs of techno. sonja moonear has a slightly happier and smoother answer on the b side and challenges us with a long and percussive intro that leads into a melancholic twist. quenum and lad arent new to the electronic music and have been active over a decade. they have already been working together for labels like num and thema. sonja is dandys partner in crime as junction sm and ruta5s half head.

big twelve from us label slant featuring glasgow s edit select and alex smoke. label owner let s go outside supplies the b-side.slant s fourth 12 yields two mighty pieces of techno. one side is let s go outside s epic valentino , the other is the absolutely wicked the retainer from edit select and alex smoke. all the criteria for a classic split are met and well exceeded here.the pairing of edit select and alex smoke is simply brilliant. the a side s the retainer is crowd control. alex s signature vocal cut ups and chugging percussion layered atop edit select s hypnotic, repetitive style make for a true techno masterpiece.on the aa side, let s go outside throws down a deep, seductive, tough cut with valentino . airy pads float atop pulsing bass and a subtle, driving orchestra of percussion and static. the entire piece slowly ebbs before crashing down, repeating, the pace deliberate and guided by soft words about first loves.

stones throw alumnus releases new full length with solid features.

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

pomelo release from 2000 by hi-lo - from downbeat/electro to techhouse with a nod to detroit. b-side track >i need a shower< is an extended loop.

anmade 009 is about to hit ya ll, expect one of the best manmade releases so far! 5 banging tracks with different styles and tempo, but they all have some things in common: they are big, fat, funky and a guarantee to move the party peoples butts.

alan abrahams is portable and this is his second 12inch for perlon. a pretaste of his forthcoming album, expected sometime in 2011 through this channel. after spending some time in london and berlin, alan recently moved to lisbon, where he continuously works on his very own definition of house. while the a-side, life magically is a stripped down mental monster, the b-side offers the perfect love song entitled >find me<.its all about soul and if you have the chance, we highly recommend portables current live show, its a trip!

who wouldnt want to be kept by a beautiful rich woman? no matter how you look at it, its not the worst way to make a living. in 1982 the german new wave quartet ideal even wrote a song about it. >schoene frau mit geld< is thestory of a young man without any other drive or desire in life than to find such a woman and turn this state of utopia into reality. tough goal! twenty-eight years later, one of germanys finest and merited producers decided to do afresh interpretation of the song. sir losoul of playhouse fame presents two mixes (a dub for the faint of heart) that hone the hook and tag line of the original for maximum dance floor and repeated listening pleasure. and that, ladiesand gentlemen, is sometimes really the only thing you need in the world…

after the success of the first 2 volumes here we have vol 3 in the very popular edit series from the mighty deadly sins. dj support from tornado wallace & sleazybeats

in fact, its not even supposed to have a release sheet like this one. but sometimes, you-re even too modest to stay away. so, whats it all about? well, the music, of course. and only the music. organic stuff, so to speak. tracks made by pure immersion. no plans, no blueprints. just going with the flow, unleashing the inner krautrock while staying true to the basics of techno. here is gabriels new 4-tracker. inhale.

final release !!! rush hour presents a new series of releases entitled -voyage direct-. this series is about all about feel good club music and is curated by tom trago. hence the name voyage direct, which was also the title of his debut double ep. dexter kicks off this series in a classy style with his junofest ep. this is easily his best work since his genre breaking electrofunk hit -i dont care- from 2000. and now its time for -junofest ep-. the title track is a steady, yet smooth club groove with enough wsing to make anyone dance to the music. a true party starter. on the aa side we find -not the only one-, an infectious vocoder vocal track that makes you smile. this is one of those rare tracks that has a poppy, commercial feel without losing its underground raw appeal. it could just be his biggest track since -i dont care-

as you may already know about it, the artist costello (who is living in bordeaux at the moment) is releasing his first ep on boxon records. costello, 23 years old dj/producer, already appeared in international labels (plasmapool, party like us, big fish recordings, dust traxx chicago) and made remixes of artists such as missil, dilemn, stereoheroes, udachi or gooseflesh. thanks to his insane shows, his youth influenced by a good dose of strength and technique, and his electro 90s sounding break, rock or hip-hop, he managed to make a name.
supported by alex gopher, don rimini, missil, cyberpunkers, beataucue, the bloody beetroots, franki chan, mstrkrft, malente, larry tee, calvertron, polymorphic, tommie sunshine, human life, lazy rich, andre dalcanà, ...

shortstuff dribbled this ep out of his arse. it took him 12 months ? he worried about everything, accomplished nothing, and then called it something stupid. by the end of the process, everybody at ramp wanted to die. the end result is a 6 track ep, released on 3 separate 10 inches throughout august. dj support from scuba, roska, loefah, jackmaster, ben ufo, ramadanman, pangea, scratcha, lvis 1990, brackles, toddla t.

limited pressing especially for the subway destination lp if you havent heard about this one you have been living under a rock!one of noah ds biggest tunes to date has gotten the vip treatment. for a while now this one has smashing up the dancefloors & festivals left and right from the atlantic. a seeeriousss vip for a seeeriousss riddim. heavy play support comes from the likes of europe heads, skream, benga, joker, hijak, 16bit, trolley snatcha, doctor p, flux pavilion, 501, the others, emalkay, noah d, antiserum, 12th planet, spl, djg, broken note, n-type, seven, matt-u, akkachar, taz buckfaster, marlow, hatcha, jakes, komonazmuk & alot more!

charlton ravenberg is the dutch artist who signs the 4th great m_rec ltds vinyl. in this ep he has 4 tracks where he shows his full potential. in tracks such as >basterd< and >slow down< creates trip slow and hypnotic. in tracks like >backwards< and >forwards< trips are a little more techno with detroit school influences. its a release that will sure know more about the label and the artist for its modernity and its substance. big!
played and supported by: marcel dettmann, len faki, surgeon, laurent garnier, bas mooy, jeroen search, perc,samuli kemppi, tom hades, inigo kennedy, sebastian roya, dave ellesmere, roland m.dill and more ...

japanese based, dry-witted, multi-instrumentalist, max essa, docks his yacht to the good ship bearfunk once more. this time its the title track from his soon-come lp >white shoes blue dreams<. the original morphs things on from his pundit-pleasing beach and summer grooves onto an 80s tilt. the original mix is full of slick grooves and melodic musicality. maxs own >marbella< mix discos things up with a catchy keyboard riff that makes one think of a certain van mccoy, floor-filling stuff. fellow bearfunk sailor, roberto auser, is up for remix duties. his angular dutch grooves strip things back and make things refreshing and cool like he does with just about everything he touches. stay tuned for the second max essa album on bearfunk in the autumn.